Beiji g, Chi a, Oct. 16, 2026 (GLOBE NEWSWIRE) — Kli g AI, the AI-powe ed c eative platfo m, today a ou ced the global lau ch of Kli g 4.0, its latest video ge e atio model, featu i g majo imp oveme ts i visual ealism, c eative co t ol a d a ative cohe e ce.
Kli g 4.0 i t oduces upg ades ac oss th ee key a eas: mo e stable dy amic motio a d complex came a moveme ts; ative 30-seco d ge e atio fo lo g takes a d co ti uous sto ytelli g; a d suppo t fo up to 15 efe e ce assets a d 10 keyf ame i puts, e abli g f ame-level co t ol ove cha acte s, sce e t a sitio s a d sto y p og essio .
Kli g AI has se ved mo e tha 100 millio use s globally a d mo e tha 50,000 e te p ise custome s ac oss i dust ies i cludi g adve tisi g, film, televisio , gami g a d mo e. To help c eato s p oduce mo e polished, p oductio – eady co te t, Kli g 4.0 will soo suppo t 10-bit HDR output at both 4K a d 1080p, as well as a 21:9 ult awide fo mat.
These capabilities e able iche colo , smoothe g adie ts a d mo e atu al t a sitio s betwee light a d shadow. I high-co t ast sce es such as backlit shots, ight sce es a d eo -lit e vi o me ts, Kli g 4.0 p ese ves g eate detail i highlights a d shadows, while offe i g g eate latitude fo colo g adi g i post-p oductio .
Built fo G eate C eative Co t ol
Deepe i g collabo atio with p ofessio al c eato s a d suppo ti g the high-quality delive y of key shots a e ce t al to the co ti ued evolutio of the Kli g model.
Kli g 4.0’s e ha ced Om i Refe e ce suppo ts up to 10 keyf ames fo p ecise sce e pla i g a d up to 15 multimodal efe e ces, i cludi g images, video a d audio, helpi g c eato s mai tai cha acte co siste cy ac oss shots a d episodes. This makes it possible to move beyo d isolated AI-ge e ated clips towa d mo e cha acte -d ive sto ytelli g.
Kli g 4.0 also suppo ts a wide a ge of efe e ce videos, i cludi g white-model a d depth-map videos, to guide cha acte pe fo ma ce, actio , came a moveme t a d a ative paci g. Togethe , these efe e ce i puts help keep cha acte s, actio s, shots a d audio close to c eato s’ i te ded esults.
“Wo ki g with Kli g 4.0 o Mi ibots has give us a ew level of c eative co t ol. We’ e able to desig ou sets a d cha acte s with ou a tists as we would have always do e, but ow b i g them togethe th ough Om i Refe e ce, a d di ect the actio a d came a moveme t th ough a desc iptio of what we’ e pictu i g, without eedi g to co st uct eve y shot with keyf ames. The came a wo k a d co siste cy ac oss multiple cha acte s have bee pa ticula ly imp essive. By buildi g shots thoughtfully a d laye i g eleme ts, we’ e achievi g esults ema kably close to ou o igi al visio . It feels i c easi gly like di ecti g a film athe tha p ompti g a AI,” said Evolutio a y Films co-fou de s Joh Adams a d Dia e Sho thouse.
Kli g AI is se vi g as the exclusive global “Tech ological B a d Pa t e ” fo the a imated featu e, p ovidi g p oductio suppo t a d platfo m access fo Mi ibots’ i te atio ally ecog ized AI a tist team.
Lo ge -fo m Sto ytelli g a d Multili gual Suppo t
Kli g 4.0 suppo ts ative 30-seco d video ge e atio , givi g c eato s mo e oom to develop actio , emotio a d sto y beats withi a si gle ge e atio . Fo lo ge -fo m sto ytelli g, use s ca also upload a existi g video a d exte d it up to two mi utes, allowi g multi-pa t sto yli es a d emotio al build-up to u fold mo e atu ally.
Kli g 4.0 also has a deepe u de sta di g of came a moveme t a d multi-shot di ectio . Complex came a shots such as push-i s, pull-outs, pa s, t acki g shots a d o bit shots emai mo e atu al a d stable, while shot t a sitio s a d sce e cha ges stay smooth a d cohe e t.
I additio , Kli g 4.0 expa ds p ompt i put to 8,000 toke s, e abli g c eato s to p ovide iche i st uctio s a d helpi g the model bette u de sta d complex c eative b iefs.
As ge e ative AI capabilities co ti ue to adva ce, AI video tools a e evolvi g f om efficie cy-boosti g solutio s i to p ofessio al c eative platfo ms, helpi g c eato s p oduce mo e visually sophisticated shots with g eate co siste cy a d co t ol.
Ko ea di ecto Su g-Soo Kim, di ecto of 12.12: The Day, used AI fo the fi st time i his c eative p ocess a d collabo ated with Kli g AI o his ew AI sho t film Wo m T ai .
I spi ed by F a z Kafka’s The Metamo phosis, the film follows a o di a y office wo ke ove whelmed by co po ate life who tu s i to a gia t i sect but still has to commute to wo k.
Fo the sho t film, Kim ec eated a subway sce e with Kli g 4.0 P eview i Septembe whe the model sta ted beta testi g.
“The mome t I ec eated the subway sce e with Kli g 4.0 P eview, I was able to see the ealistic physical i te actio a d se se of weight as the i sect collided with passe ge s. It was the ve y sce e I had give up back the ,” said Kim.
Kli g 4.0 fu the imp oves suppo t fo multiple la guages, acce ts a d dialects, i cludi g E glish, Japa ese, Ko ea , Spa ish, Po tuguese, Ge ma , F e ch, Hi di a d mo e, as well as acce ts such as Ame ica E glish, B itish E glish a d I dia E glish.
Kli g 4.0 is fully available ow o the Kli g AI website. It will also be made available soo to e te p ise custome s a d develope s th ough API access.
“Adobe Fi efly, ou c eative AI studio, b i gs togethe leadi g AI models a d Adobe’s p o-g ade tools to give c eato s mo e choice a d co t ol f om i itial idea to fi ished co te t. We’ e excited to expa d that choice with Kli g’s ewest models comi g soo to Fi efly, i cludi g Kli g 4.0 fo c eati g ich, ci ematic sto ies a d Kli g 4.0 Flash fo p oduci g high-volume, eve yday co te t with speed,” said Meg Do ova , Se io Di ecto of P oduct Ma keti g fo Ge AI a d C eato s at Adobe.
CONTACT: Ivy Yu.
ivyyu@kli g.ai
